Carlo Corsi, coach of a rising football team, encourages his talented son Marco to become a champion. However, Marco struggles with the pressure, leading him to use performance-enhancing drugs. The mother, Giovanna, tries to reunite the family through their shared love of the sport.

Vita and Valeria are two women who meet while attending a theater course, during which a great passion was born. Moment after moment, scene after scene, the relationship changes and Vita finds herself in a violent and painful bond, which becomes constraint.

The documentary analyzes the Cabaret phenomenon from its Parisian origins to the present time directly from the accounts of its protagonists. A historical/artistic excursus that will show us how Cabaret has a cyclical and episodic pattern. To do this, the documentary analyzes the very concept of laughter of which the comedian represents but a part. We will show the great difference that passes between laughter used as a tool and laughter used as a purpose, highlighting the differences between Cabaret and Variety, that is, between those who make people laugh to tell and those who tell to make people laugh.

The rise and fall of sicilian most important mafia bosses after WWII: Luciano Liggio, Totò Riina and Bernardo Provenzano, all from Corleone. Their friendship and struggle against italian state.

Valerio is basically a "good guy", he takes refuge in his books, in his silences, in the "unspoken" and in those few words spoken in a low voice. He is shy and awkward, he is someone who lives life with his head down, never with his head held high, a man of the aquarium, as an ampoule, certainly not a "sea fish". The last day of the bull is a comedy about the evil of living.